It is hard to tell if abstract painting actually got worse [after the 1960s], if it merely stagnated, or if it simply looked bad in comparison to the hopes its own accomplishments had raised. —Frank ...

The exhibition called “The Spiritual in Art: Abstract Painting 1890–1985,” which Maurice Tuchman has organized with the assistance of Judi Freeman at the Los Angeles County Museum of Art, is the kind ...

In his preface to Abstract Art: A Global History—arriving this month from Thames & Hudson—Joseph Low (“Pepe”) Karmel, a professor of art history at New York University, writes that the goal of the ...

FOR half a century art critics have undertaken to address not a sophisticated minority like the readers of literary magazines, but the mass of unbelievers to whom twentieth-century art is a mystery or ...