Nelson agrees that Kosinski usually has "at least one or two waiting in the wings," and first heard about the possibility of a drama about Formula One racing while he was working on Spiderhead. "Joe ...

For re-recording mixers Juan Peralta and Gary A. Rizzo, auto-racing fans were a key audience they hoped to please with their work on “F1.” They weren’t the only key audience, however. “We wanted to ...

The first race in F1: The Movie, at the British Grand Prix at Silverstone, results in a spectacular double crash that illustrates just how disastrously things can go when you don’t work together.

A 24-hour Formula 1 race sounds legendary… but the real question is whether an F1 car would even survive long enough to see ...

The team radio editing suite at F1's Media and Technology Centre. Alex Kalinauckas / The Athletic This article is part of our Forever Forward series, showcasing the ways Formula 1 is innovating for ...

After the engine noise made by F1’s first V6 hybrid power units came under fire, key members of the Audi team have hailed the ...

Racing Bulls completed its first on-track running with the VCARB03, giving us the first sounds from Ford's new Formula 1 ...

Talking surprising race car sounds, 'dirty air' and more with the 'F1' sound design team. Sound editor Al Nelson and re-recording mixer Gary Rizzo share their long history working with director Joseph ...