Remember Chock-Bates' one-foot step sequence to Take Five with its quintuple meter and division into 3 2? In Kaganovskaya-Nekrasov's Rain in Your Black Eyes, there is essentially the same challenge: the "flowing" broken arpeggio accompaniment at the start of the dance is also all in 5, with the same internal division into 3 2 beats. As an example, I cut out, again, the one-foot step sequence — I like it both for its skating content and musicality. First, the asynchrony at the beginning looks ver